Eat That Frog: The Economics of Passion

Today our regular guestblogger Dave Baldwin shares two books with us: Brian Tracy’s Eat That Frog and Seth Godin’s The Dip which are about making money while pursuing your passion. Artists shouldn’t starve while they live their dreams and transform others’ lives. They deserve prosperity and abundance. Enjoy this post!

 

Lately, I’ve been chewing on a critical question: what does it take to make serious money doing what brings joy and fulfillment? Why is it that some people seem to do it naturally, while others struggle at it for their whole lives? Why is it that thousands (if not millions) of highly educated, skilled, and talented people fail to make the kind of money they’re really worth?

Have you ever wondered why some painters are able to sell their work for tens of thousands of dollars, while some artists create breathtaking works that sell for less than $100? Economic value is based on perception, and perception is subjective. I used to believe that if I simply felt enough passion for what I was doing, others would also feel my passion and would compensate me accordingly. This turned out not to be such a sound business model as I’d expected. Creating the perception of high worth is a more complex science than I realized, but I do believe it can be broken down into small pieces. It really boils down to doing more of the things that generate revenue and less of the things that don’t. This is easier said than done, especially for creative people.

The first place I looked for insights into this challenge: Eat That Frog by personal effectiveness expert Brian Tracy. The system that Tracy lays out seems to have been designed especially for people like me. The first principle, which Tracy dubs “Setting the Table,” is essentially a methodology for setting priorities. Tracy outlines 21 principles for accomplishing just about anything. However, I’ve personally found that this type of system requires a high level of discipline to implement. Quite frankly, I don’t have that kind of discipline, and I know I’m not alone in that regard. However, for those of us who have a hard time sticking to a system, there is hope.

Many of us have come to learn that creativity is an asset and a liability at the same time. Our tendency to constantly innovate new approaches and solutions, while highly useful for tackling difficult problems, also distracts us from getting simple things done. We are easily bored with the mundane aspects of managing life and making money, and by nature, we tend to procrastinate these things as long as we can. Sound familiar? Creativity also creates a second problem: the tendency to “chase shiny objects.” For some insight into how to deal with this, I consulted a second resource: The Dip by Seth Godin.

Every time I’ve read The Dip, it’s helped me to better understand what things I should quit, and which activities I should continue. I’ve found that when my plate is too full and I have too much going on, my ability to think clearly is compromised. When overwhelm exceeds a certain threshold, chaos takes over. At this point, the greatest system in the world will make no difference, because even the sincerest of efforts to follow it will be assaulted on all sides by interruptions at unpredictable intervals that demand immediate attention. During times like this, cutting out activity is the surest way to regain control of the situation. However, it’s critical—as Godin puts it—to “quit the wrong things, stick with the right things, and have the guts to do one or the other.”

Becoming the best of the best in any given field, says Godin, is about finding that one thing you can do best, and quitting everything else. This process requires some experimentation, of course, and the path to excellence invariably involves starting some of the wrong things. (If you’re creative, it involves starting a lot of the wrong things!) Even when you start doing the right things, you’re likely to find yourself needing to quit portions of them. In my example, I have been blogging regularly—and I’m not going to quit. However, I realized that I could ask myself a useful question: what topics could I quit blogging about? At that moment, I realized I was on to something.

Adding new habits into your schedule doesn’t always help, especially if your schedule is already overloaded. However, the habit of quitting is an easy habit to adopt. What do you think would happen if you quit doing one tiny unproductive thing, freeing up just a little slice of time, each day? What do you think would happen if you quit creating all art, except for the kinds of art that generate income and that fully express who you are?

If you love to create art in any form and would like to increase the income you earn from it, you may simply need to create a personal system that moves you toward your financial goals, one day at a time. If you are the kind of person who can take a pre-designed system and implement it consistently every day, Eat That Frog may provide everything you need to make more money from your art. If you’re like me and have a tendency to procrastinate, you will probably need to start by weeding your activity garden, in which case I would recommend starting with The Dip. Taken together, these books create a powerful framework for reorienting your creative passions onto a more lucrative trajectory.

Remember that while passion does not always lead to revenue, revenue frees up time—and extra time allows you to pursue your passion.

 

About Dave:

Dave Baldwin is a writer who lives and works in Raleigh, North Carolina. He facilitates a networking group in Wake Forest, North Carolina.

 

Your Turn:

What activity can you quit so that you can earn more revenue? Make your decision to pare down your tasks and then I’d like to see where you are in two months or less!

Save Time and Writing Energy—Ask an Expert!

Today we welcome author Maria McKenzie who shares an insider tip that not many writers do. If you follow Maria’s advice, you’ll save yourself time and energy!
 

Thank you, Alice, for inviting me to post with you today at Write From the Inside Out!  My name is Maria McKenzie and I’m the author of the Amazon Bestseller The Governor’s Sons.   

 

Prior to discovering my love of writing, I was a librarian for several years.  I enjoy doing research, but as writers, writing is our first priority, not research. Sometimes, however, we can end up wasting hours looking for information that we thought would be relatively easy to find. 

 

That’s when we need to turn to “human resources.”  People can be our best options when looking for those elusive answers! Today I’d like to share an example of how an expert helped me prevent a research issue from becoming a serious time drain.

 

I asked my husband for input on a scene I’d written involving a dynamite explosion. My husband knows explosives, but he’s not an expert—he just built bombs as a kid (miraculously, he still has both eyes and all ten fingers). After I’d read my scene to him, hubby ripped it to shreds. Granted, at that point, I hadn’t done any research. I’d only used what I’d seen on TV as a guide—never a good idea. My husband couldn’t answer all my questions regarding dynamite, so I turned first to the encyclopedia, and then to the Internet.

 

Although I found lots of information (including the fact that Alfred Nobel, of the Nobel Peace Prize, created dynamite), I couldn’t find the answer to every single question I had in order to write a believable scene. Instead of going to the library, checking out books and investing more time, I decided to locate a human resource—someone who’d give me more than I could find in a stack of books for the particular episode I had in mind. After playing around for a little while online, I located the International Society of Explosive Engineers. With local chapters all across the country, I called the chapter chairman closest to me.

 

Understandably wary, the gentleman informed me that he usually wasn’t allowed to answer questions unless someone had gone through the proper channels. After trying to convince him that I really wasn’t a terrorist, he asked me to explain what I was looking for, and then told me he’d decide what he could or couldn’t answer. After the first few minutes, he realized I was safe and literally had no clue whatsoever about explosives.

 

This explosive engineer taught me more about dynamite than I’ll ever need to know. He even provided me with a more realistic scenario for what I was trying to describe, as well as a way to kill off a bad guy in the aftermath of an explosion, while the good guy survives.  In the end, my source gave me 45 minutes of his valuable time, answered all my questions, and let me pick his brain!

 

Nothing like communicating with a human resource through the good old fashioned way of talking! Sometimes that’s the most useful research out there.  Next time you run into a brick wall, pick up the phone and call an expert so you can get back to more important things—like writing!

 

For more information on research and contacting experts, visit my blog at www.mariamckenziewrites.com, and click on “Published Articles.”

 

Your Turn:

 

Do you have an exciting adventure in research to share?  And as far as research goes, do you love it or hate it?

 

Thanks again, Alice for a chance to post for you and your audience!   

 

 

 

 

 

How to Throw an Awesome Book Launch House Party

 

Photo credit: Marthanna Yater

You’ll have your new book in your hands in a few months AND of course you want your book in many other hands too, with preferably a sell-out situation on the horizon. Want a fun way to draw in readers while meeting new people and audiences? Host or co-host a house party.

Hosting an awesome house party for a book launch requires planning and time like all things worth doing. If you plan well, folks will be talking about your house party seven months from now.

 

Here are the ingredients for your awesome book launch house party:

 

  • A good mix of people you know and those that you don’t
  • Twenty minutes set aside for you to read from your book
  • Friendly hosts who LIKE throwing parties
  • Live music like what’s in this clip!
  • Good food like strawberries, sushi, cheese, grapes, chicken fingers, mini-quiches that requires NO forks.
  • A variety of drinks—champagne, anyone?
  • A large area for mingling and for the reading
  • Fairly easy parking and a good location

 

Planning Tips:

 

If your house isn’t the right size, ask a friend who loves a good bash and doesn’t mind lending his/her home for the night.

Be very clear as to what you’ll provide—are you supplying all of the food and drinks while your host supplies the live music and paper/plastic goods? Remember, the host has to deal with wear and tear on their house and with the clean up/take down.

Send out your Evite a month before and also use Facebook and email. Buy a stack of postcards from Vistaprint and snail mail out invitations, too. Have your co-host also invite their neighbors, coworkers and those who would love a literary bash.

In the invitation, share a bit of who you are, what your new book is about and give an excerpt or sample/video of your work. Say you’ll have doorprizes, giveaways, and lots of food and drink! If your invitees have never been to a book launch before you might want to state that a book launch is a fun, casual party to get to know the author and meet new people. State on the invitation what kind of dress you suggest for folks to wear: casual, cocktail or festive! Mention that there’ll be live music!

Line up some food and drink sponsors so you can keep your expenses lean and mean.

Promote your event to the media and to reviewers.

Prepare to have someone take photos and video, as well as handle the money when you are signing the books.

Set all of your merchandise, food and drink up the day before—not as your guests are arriving!

Get posters made of you and your book cover and position them behind the area where you’ll be reading so your cool posters are in all of your pictures.

Most of all—relax and have fun!

After the party, be sure to thank your hosts and your guests.

There are a few cons to a house party, but not too many:

Some people don’t want to go to someone’s house they don’t know and some people feel uncomfortable meeting new people in someone else’s home.  Guests do have to stay longer than if they dropped in at a bookstore (that’s why you have good food and live music!). If there are guests who look uncomfortable upon arrival, it is up to the host to welcome them and make introductions ASAP.

House parties aren’t free and I believe guests shouldn’t have to bring food and drink unless they want to (so no potlucks for a house party since you want guests to buy your book—making them bring their own food/drink AND expect them to buy your book is a bit much). Plan your budget and don’t go over it. See if you can barter for the live music and ask your very close friends to donate cheese and beverages.

House parties require a lot of prep work, but they are most relaxed atmosphere than a bookstore, library or coffee shop. You also don’t have to split your sales with anyone! (unless you want to give to your co-host or a charity).

 

For the guests of a house party:

 

Come prepared to buy the book (if you don’t have the book) or else contribute in some fashion by taking photos, cleaning/setting-up, taking video, listening  to the author, taking the author’s info for your friends, or helping the author with signing books, etc. Also, if you don’t know the author, chat and meet the author. This didn’t happen at a house party, but I hosted a reception/signing and these twerps showed up, sacked my food/drink and then scurried off. Not cool.

Your Turn:

What have I missed off of this list? What tips can you share that made for a successful house party?